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Moderator: JohnMayo
I agree with your comments about the "story" - but Dave himself said in gp#1 that it's all really just an excuse for him to draw pretty women, which he likes to do. I think of the "story" here in the same way I think of the "story" in a porn movie! lol (ok, that's an exaggeration, but..).Alec Burkhardt wrote:mostly? I think I'm buying it solely to marvel at the art.JLAFan wrote:I love Dave's art, I'm buying Glamourpuss mostly to marvel at the art.....![]()
Although the history aspect isn't bad; the attempt to artificially impose some story element could go away for all I care about it.
Oh, I'm aware that the story is something Dave has said is largely just something that is being constructed around his interest in drawing pretty women, but I'd be fine if he just drew the pictures. From the sounds of interview with Dave, it sounds like he feels putting some "story" around it is necessary to get the retailers to order it and comic book fans to buy it. Perhaps he's correct, but I think that the "story" being what it is, is just as like to cause people to not buy the book.ctowner1 wrote: I agree with your comments about the "story" - but Dave himself said in gp#1 that it's all really just an excuse for him to draw pretty women, which he likes to do. I think of the "story" here in the same way I think of the "story" in a porn movie! lol (ok, that's an exaggeration, but..).
Well, I'm only able to evaluate the first issue so far, so at this point I'll stand by my "the history aspect isn't bad" comment. But that is also influenced by the fact that I actually have on occasion read books on the history of the medium. Obviously for those who haven't read the history before, this element should have more of an impact. But that's true for any book about history - the more you have already read, the less another books adds. I expect that as we go along, the history/examination will become more important to my experience as well.OTOH, I think you're to easily downplaying the excellent history/examination of photrealism - the words add to my enjopyment of the pictures. Which is intersting when you think of it: Dave is using the combination of words and pictures in sequence to evoke a response from the reader. That's the traditional definition of comics/sequential art - and yet here he's doing it in a completely way than traditonally thought.
Unfortunately, I think you're right here. And because of that, I'd be surprised if this book makes it more than a handful of issues. but I'm hoping the great substance of the book will somehow enable it to overcome its trappings. I think the plan is to do around 24 issues. So we shall see...Alec Burkhardt wrote:Oh, I'm aware that the story is something Dave has said is largely just something that is being constructed around his interest in drawing pretty women, but I'd be fine if he just drew the pictures. From the sounds of interview with Dave, it sounds like he feels putting some "story" around it is necessary to get the retailers to order it and comic book fans to buy it. Perhaps he's correct, but I think that the "story" being what it is, is just as like to cause people to not buy the book.ctowner1 wrote: I agree with your comments about the "story" - but Dave himself said in gp#1 that it's all really just an excuse for him to draw pretty women, which he likes to do. I think of the "story" here in the same way I think of the "story" in a porn movie! lol (ok, that's an exaggeration, but..).
What books are out there on photorealism in comics? AKAIK, this is the first. I'd love to learn about others.Well, I'm only able to evaluate the first issue so far, so at this point I'll stand by my "the history aspect isn't bad" comment. But that is also influenced by the fact that I actually have on occasion read books on the history of the medium. Obviously for those who haven't read the history before, this element should have more of an impact. But that's true for any book about history - the more you have already read, the less another books adds. I expect that as we go along, the history/examination will become more important to my experience as well.OTOH, I think you're to easily downplaying the excellent history/examination of photrealism - the words add to my enjopyment of the pictures. Which is intersting when you think of it: Dave is using the combination of words and pictures in sequence to evoke a response from the reader. That's the traditional definition of comics/sequential art - and yet here he's doing it in a completely way than traditonally thought.
I wasn't thinking of books specifically about photorealism, but a more broader coverage of the people and strips mentioned in issue 1. This is why I hope the history/discussion of photorealism will be of increasing interest to me as the series continues, but in issue one I didn't find it all that extraordinary. But that's to be expected in a first issue - it was just a start of the discussion. Whether or not it becomes of greater interest/value to me in the future, is still an open question and I can easily see it going either way. Not being an artist myself, or having any interest in learning how to draw myself, this discussion could easily become something that doesn't add much of value for me. Or it could be a fascinating discussion that I'm interested in regardless of my lack of drawing. At which point I'm down to buying it solely for the wonderful art. But I'm still buying the book.ctowner1 wrote: What books are out there on photorealism in comics? AKAIK, this is the first. I'd love to learn about others.
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OK..what books are out there that examine the artwork of Alex Raymond, Al Williamson, and Milt Caniff, and how they relate to each other interms of influences, etc? Because that seems to be a main thrust of what Dave is dealign with in glamourpuss.Alec Burkhardt wrote:I wasn't thinking of books specifically about photorealism, but a more broader coverage of the people and strips mentioned in issue 1.ctowner1 wrote: What books are out there on photorealism in comics? AKAIK, this is the first. I'd love to learn about others.
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I'd prbably buy it for that reason, too - but I much prefer to get the comics history lesson/analyss as well!This is why I hope the history/discussion of photorealism will be of increasing interest to me as the series continues, but in issue one I didn't find it all that extraordinary. But that's to be expected in a first issue - it was just a start of the discussion. Whether or not it becomes of greater interest/value to me in the future, is still an open question and I can easily see it going either way. Not being an artist myself, or having any interest in learning how to draw myself, this discussion could easily become something that doesn't add much of value for me. Or it could be a fascinating discussion that I'm interested in regardless of my lack of drawing. At which point I'm down to buying it solely for the wonderful art. But I'm still buying the book.